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Billy sprang up. The dark man of the sinister house was passing on his way to town; had answered a horseman’s salute. The boy could not see the house; but on the high hill above it he saw the other brother, regardless of the Sabbath, hoeing his vineyard. The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising. “Well, I must get at my job, too. That’s thinking up things. You fellers do your work an’ get your money; but I got to rustle that money or bust.”.
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Conrad
“Well, now, is that so? It sounds to me like a furrin word,” returned Mrs. Wopp, who admired Mrs. Mifsud’s polished utterances, while by no means undervaluing her own rhetorical gifts. He was not more inquisitive than other boys, yet the mystery, the many uncanny tales told of the old house, fired him with a desire to know its secrets. Long before he was born a murder had left its stain there. The owners, suspected but unconvicted, moved away; and for years the house stared vacantly at passers. The coming of the Italians had only increased its bad name. Late travellers on the lonely road declared that shadowy forms and flickering lights passed the lower windows and down into the cavernous basement; yet no sounds ever came from behind the barred doors. Which last order was the signal for a giddy frolic. Finally, “Everybody promenade, you know where,” and the dancers joined the spectators on the benches. CHAPTER XII.—THE AUTOGRAPH QUILT..
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